Georgian Decorating in Farrow & Ball Calke Green
No.34 is used for this elegant Georgian Dining Room (1714 – 1830). The Georgian era is often referred to as The Age of Elegance. The… Read More »Georgian Decorating in Farrow & Ball Calke Green
The Persian carpet or Persian rug (Middle Persian: bōb, Persian: فرش farsh, meaning “to spread”; sometimes قالی qālī) is an essential part of Persian art and culture. Carpet-weaving is undoubtedly one of the most distinguished manifestations of Persian culture and art, and dates back to ancient Persia.
Persian carpets can be divided into three groups; Farsh / Qāli (sized anything greater than 6×4 feet), Qālicheh (قالیچه, meaning “small rug”, sized 6×4 feet and smaller), and nomadic carpets known as Gelim (گلیم; including زیلو Zilu, meaning “rough carpet”). In this use, Gelim includes both pile rugs and flat weaves (such as kilim and soumak).
Persian rugs are made up of a layout and a design which in general included one or a number of motifs. About 19 groupings have been identified including; historic monuments and Islamic buildings, Shah Abbassi patterns, spiral patterns, all-over patterns, derivative patterns, interconnected patterns, paisley patterns, tree patterns, Turkoman patterns, hunting ground patterns, panel patterns, European flower patterns, vase patterns, intertwined fish patterns, Mehrab patterns, striped patterns, geometric patterns, tribal patterns, and composites.
Persian rugs are typically designed using one of four patterns: all-over, central medallion, compartment and one-sided. Some abstract asymmetrical design can be found but most of these can be described as one-sided or unidirectional.
Design can be described in terms of the manner in which it organizes the field of the rug. One basic design may serve the entire field, or the surface may be covered by a pattern of repeating figures. In areas using long-established local designs, the weaver often works from memory, with the patterns passed on within the family. This is usually sufficient for simple rectilinear design. For the more elaborate curvilinear designs, the patterns are carefully drawn to scale in the proper colours on graph paper. Each square thus becomes a knot, which allows for an accurate rendition of even the most complex design. Designs have changed little through centuries of weaving. Today computers are used in the production of scale drawings for the weavers.
No.34 is used for this elegant Georgian Dining Room (1714 – 1830). The Georgian era is often referred to as The Age of Elegance. The… Read More »Georgian Decorating in Farrow & Ball Calke Green
The World of Interiors September 2015 Cover. What a lovely reading – room, . . .warm – cozy – & inviting. It seems so proper… Read More »The World of Interiors September 2015 Cover
Eclectic living room renovated by Kelly Nelson Designs With blue armchairs, persian rug, french doors and walls painted in Benjamin Moore Patriotic White. Interior Designer:… Read More »Society Hill Renovation Living room
Elegant and stylish neutral colored living room. Walls, Farrow and Ball Light Grey, All woodwork Farrow and Ball Hardwick white. Customers own furniture, re upholstered… Read More »Elegant Neutral Living Space
Eccentric/contemporary turquoise sitting room featuring slipper chairs upholstered in velvet fabric by Lewis & Wood. Love the teal colored sofas by Nicholas Haslam Ltd. Ikat… Read More »Turquoise Sitting Room
Gorgeous traditional master bedroom in turquoise decorated by Katie Ridder. Magazine: Elle Decor June 2014 – Full Tour of Home Photo: Eric Piasecki Interior Designer:… Read More »Master Bedroom in Turquoise
Custom sofa and throw pillows are covered in Clarence House linen and velvet. Beautiful combination of anqtiques and art works in a hot red tinted… Read More »Hot Red and Antiques